| Emilio Salgari | |
|---|---|
| Born | August 21, 1862 Verona, Italy |
| Died | April 25, 1911 (aged 48) Turin, Italy |
| Occupation | Journalist, writer, novelist |
| Nationality | Italian |
| Genres | Adventure, Westerns, Historical fiction, Science fiction |
| Notable work(s) |
Sandokan The Tigers of Mompracem (series) The Black Corsair (series) |
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Emilio Salgari (Italian pronunciation: [salˈɡaːri], but often erroneously pronounced [ˈsalɡari]; August 21, 1862 – April 25, 1911) was an Italian writer of action adventure swashbucklers and a pioneer of science fiction.
For over a century, his novels were mandatory reading for generations of youth eager for exotic adventures. In Italy, his extensive body of work was more widely read than that of Dante. Today he is still among the 40 most translated Italian authors. Many of his most popular novels have been adapted as comics, animated series and feature films. He is considered the father of Italian adventure fiction and Italian pop culture, and the grandfather of the Spaghetti Western.[1]
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Emilio Salgari was born in Verona to a family of modest merchants. From a young age, he had a desire to explore the seas and studied seamanship at a Naval Academy in Venice, but his academic performance was too poor, and he never graduated.
He began his writing career as a reporter on the daily La Nuova Arena, which published some of his work as serials. As his powers of narration grew, so did his reputation for having lived a life of adventure. He claimed to have explored the Sudan desert, met Buffalo Bill in Nebraska (he had actually met him during his "wild West Show" tour of Italy), and sailed the Seven Seas. His early biographies were filled with adventurous tales set in the Far East, events which he claimed were the basis for much of his work. Salgari had actually never ventured farther than the Adriatic Sea.
He turned his passion for exploration and discovery to writing. His first stories were serialized in newspapers. Early in his career, he began signing his tales as "Captain Salgari", a title he once defended in a duel when his claim to it was questioned.
Though knighted by the Queen of Italy and wildly popular, Salgari did not earn much money from his books and lived hand to mouth for most of his life.
Salgari married Ida Peruzzi - nicknamed "Aida," - with whom he had four children - which added to the family's economic problems - and with whom he was very happy for years.[2] Salgari private life was clouded by several tragedies. In 1889 his father committed suicide.[2] Ida became ill after 1903 and Salgari's struggling increased with her medical bills.
These events led Salgari to depression, and he attempted suicide in 1910. After Ida was committed to a mental ward in 1911, Salgari was overwhelmed and took his own life soon afterwards, imitating the Japanese ritual of seppuku, and died on April 25, 1911.[2] He left three letters, addressed to his and Ida's children, his publisher, and the editors of his newspaper in Turin. The letter to his publisher said:
| “ | To you that have grown rich from the sweat of my brow while keeping myself and my family in misery, I ask only that from those profits you find the funds to pay for my funeral. I salute you while I break my pen. Emilio Salgari | ” |
One of the sons of Emilio and Aida also committed suicide in 1933.[2]
Salgari wrote more than 200 adventure stories and novels, setting his tales in exotic locations, with heroes from a wide variety of cultures. He gained inspiration from reading foreign literature and newspapers, travel magazines and encyclopedias, which he used to portray his heroes' worlds. He wrote four major series: The Pirates of Malaysia; The Black Corsair Saga; The Pirates of Bermuda; and a collection of adventures set in the Old West. Salgari’s heroes were mostly pirates, outlaws and barbarians, fighting against greed, abuse of power, and corruption.
Salgari opposed colonization in his fiction. His most legendary heroes Sandokan, The Tiger of Malaysia, a Bornean prince turned pirate, and his loyal lieutenant Yanez of Gomera, led their men in attacks against the Dutch and British fleets. They declared war on James Brooke, the White Rajah of Sarawak, and tried to force him from his throne. The Black Corsair and Captain Morgan battled against injustice in the Caribbean, while Salgari’s pirates of Bermuda fought for American independence.
His tales had been so popular that soon his publisher hired other writers to develop adventure stories under his name. They added 50 novels to his “canon”. Salgari's style was imitated by many, but no other Italian adventure writer managed to duplicate his popular success.
Salgari's work was imitated in one form or another by many who came after him. A large part of the Italian adventure literature is a continuation of Salgari's work. Many late 19th century writers such as Luigi Motta and Emilio Fancelli wrote further Sandokan adventures imitating Salgari's style: fast-paced, filled with great battles, blood, violence and punctuated with humour.
The style soon spread to movies and television. One example is the work of the director Sergio Leone, whose outlaw heroes in his Spaghetti Westerns were inspired by Salgari's piratical adventurers. More than 50 film adaptations have been made of Salgari's novels, and many more were inspired by his work (corsair stories, jungle adventure stories, and swashbuckling B movies, such as Morgan, the Pirate, starring Steve Reeves).
Federico Fellini loved Salgari's books. Pietro Mascagni had over 50 Salgari titles in his library. Umberto Eco read Salgari's works as a child.
His work was very popular in Spain and Spanish-speaking countries, where Latin American writers such as Gabriel Garcia Marquez, Isabel Allende, Carlos Fuentes, Jorge Luis Borges and Pablo Neruda, all attested to reading him when young. Che Guevara read 62 of his books, according to his biographer Paco Ignacio Taibo II, who remarked that the revolutionary's anti-imperialism could be seen to be "Salgarian in origin".
Though popular with the masses, Salgari was shunned by critics throughout his life and for most of the 20th century. It was not until the late 1990s that his writings began to be revisited, and new translations appeared in print. They have been newly appreciated for their characterization and plots. In 2001 the first National Salgari Association was founded in Italy to celebrate his work.[2]
Historians debate the first film adaptation of a Salgari novels. Cabiria, directed by Giovanni Pastrone bears many similarities to Emilio Salgari's 1908 adventure novel Cartagine in Fiamme (Carthage is Burning). Salgari was never credited, and Gabriele D'Annunzio was billed as the official screenwriter. D'Annunzio had been brought on board to help revise the film once it had been shot, earning the credit by changing the title to Cabiria, changing the name of some of the characters, and rewriting the captions from what Pastrone had done. The three-hour epic movie with its cast of thousands created a sensation throughout Italy. It pioneered epic screen production and foreshadowed the work of D.W. Griffith, Sergei Eisenstein and others.
Vitale De Stefano brought Salgari's pirates to the big screen in the early 1920s with a series of five films shot over two years, including Il corsaro nero The Black Corsair and La Regina dei caraibi (The Queen of the Caribbean). Lex Barker appeared as the tiger hunter Tremal-Naik in the 1955 B-movie The Mystery of The Black Jungle. Sandokan was played by Hercules star Steve Reeves in Sandokan the Great and The Pirates of Malaysia aka The Pirates of The Seven Seas. Ray Danton played the pirate in Luigi Capuano's Sandokan Against the Leopard of Sarawak (aka Throne of Vengeance.) and later reprised the role in Sandokan Fights Back (aka The Conqueror and the Empress).
In 1976, the landmark Sandokan TV miniseries played throughout Europe. It starred Kabir Bedi in the title role and attracted more than 80 million viewers a week. Bedi has been considered the quintessential Sandokan ever since. He later reprised the role in the late 1990s in a series of sequels.
Though Salgari's novels have been popular in Europe and Latin America for over a century, at present only seven titles are available in English.
The last two tiles were published posthumously.
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